Back to the Neolithic Age of the Internet

No photos available right now.

Please verify your settings, clear your RSS cache on the Slickr Flickr Admin page and check your Flickr feed

Photo: Tanja Kanazir / Drugo more (Flickr galerija)

Back in 1994, when the Internet was still young and most people were struggling to grasp what it even was, the net.art movement was born. “Net.art”, a term widely attributed to Belgrade-born artist Vuk Ćosić, refers to a group of artists active during the second half of the 1990s that used the Internet as both a tool and a subject, the medium and the message.

“As New Media artist Alexei Shulgin points out, Cosic’s phrase is a Duchampian readymade: Cosic saw the words ‘net’ and ‘art’ conjoined by a dot in a jumbled email message and started using the term to describe Internet-based art.”

– Tribe, Mark & Jana, Reena. New Media Art, Tachen, 2009.


The Collected Histories exhibition brings a partial or orthogonal retrospective of the works of this wellknown net.art pioneer.

Set in the Filodrammatica Gallery, the exhibition opens on Thursday, 13 April, at 20:00, and will remain on view until 5 May.
Admission is free.

 
  

The exhibition includes the Official History of net.art, a series of works that contains the famous projects History of Art for the Airports, Net.art Classics, ASCII History of Moving Images, ASCII History of Art for Blind and Compressed History of Film. Besides these works, that were primarily made for the Internet space, the exhibition also presents two Ćosić’s gallery pieces – History of Arts for the Intelligence Community and Very Deep ASCII.

 
Video-report by Moja Rijeka  from the exhibition opening

Net.art is a form of digital artwork that successfully bypasses the traditional dominance of the gallery and museum systems, providing the aesthetic experiences via the Internet, which pull the consumer into the interaction with the artwork.

Net.art je oblik digitalne umjetnosti koja uspješno zaobilazi tradicionalnu dominaciju galerijskih i muzejskih sustava, omogućujući proživljavanje estetskih iskustava putem interneta kroz interakciju sa samim djelom.

Ćosić‘s net.art works came out as a result of his interest in ASCII codelow-tech aesthetics, the economy, ecology and archaeology of the media, the intersections between text and computer code, and the use of spaces in information, its fluid nature and infinite convertibility.

  

Sidestepping the traditional method of making and showing art gave Cosic and his counterparts a radical edge, and many of their works have earned cult status.

– BBC

 

Cosic’s deconstruction of the classics prompts viewers to recognize that new-media art must forsake old-media models, but also wants digital artists to reconsider the assumption that high-tech art must rely on the latest high-tech tools.

– New York Times

 

The crowning case of stolen identity had to be the cloning of the Documenta X site, Documenta Done, by Slovenian bad boy artist Vuk Cosic.

– Artforum

 

Vuk Ćosić is well known for his challenging and ground-breaking work as a pioneer in the field of net.art. He is a co-founder of Nettime, Syndicate, 7-11, and Ljubljana Digital Media Lab. Ćosić frequently exhibits (Whitechappel, London; Venice Bienial; Habana Bienial; Manifesta, Zurich; ICA, London; Beaubourg, Paris; Reina Sofia, Madrid; Garage, Moscow; ICC, Tokio; Kunsthalle, Vienna; Digital Artlab, Tel Aviv; ZKM, Karlsruhe; Ars Electronica, Linz; Castello Rivoli, Torino; Walker, Minneapolis; Postmasters, NYC; Friedricanum, Kassel; Neue Galerie, Graz; IAS, Seoul; Baltic, Newcastle; Moca, Oslo; Barbican, London, Cabaret Voltaire, Zurich, etc.) and lectures (Museums: Beaubourg, Paris; Guggenheim, Venice; CCA, Glasgow;Thing, NYC; LAMoCA, LA; Festivals – Hong Kong, London, Liverpool, Dessau, Montreal, Banff, Madrid, Gorizia, Copenhagen, Barcelona...; Art schools and Universities: Stockholm, Los Angeles, Chicago, San Francisco, Troy, Dundee, Liverpool, Venice, Linz, Barcelona,...). He's a subject of numerous BA, MA and PHD theses (universities of Rome, Sao Paolo, Leeds, Manchester, Bruxelles, Trieste etc.), media coverage (NY Times, Liberation, La Repubblica, Guardian, Financial Times, Cahiers du Cinema, Artforum, Newsweek, Wired, Haaretz, ORF, CNN, BBC...) as well as key publications on new media (MIT press, Thames & Hudson, Tate, Taschen, Baltic etc.).
682px-Vuk_Ćosić_2012

Annual Archive

Annual Archive

Annual Archive

ARCHIVE SEARCH